Totalism

In music, totalism is a term for a style of art music that arose in the 1980s and 1990s as a developing response to minimalism—parallel to postminimalism, but generally among a slightly younger generation, born in the 1950s.
In the early 1980s, many young composers began writing music within the static confines of minimalism, but using greater rhythmic complexity, often with two or more tempos (or implied tempos) audible at once. The style acquired a name around 1990, when it became evident to composers working in New York City that a number of them—John Luther Adams, Glenn Branca, Rhys Chatham, Kyle Gann, Michael Gordon, Arthur Jarvinen, Diana Meckley, Ben Neill, Larry Polansky, Mikel Rouse, Evan Ziporyn, among others—were employing similar types of global tempo structures in their music.
The term totalist refers to the aims of the music, in trying to have enough surface rhythmic energy, but also to contain enough background complexity. There is also an echo...