The stigma of print is the concept that an informal social convention restricted the literary works of aristocrats in the Tudor and Jacobean age to private and courtly audiences — as opposed to commercial endeavors — at the risk of social disgrace if violated, and which obliged the author to profess an abhorrence of the press and to restrict his works from publication. The stigma is usually confined to creative literature rather than to pious or scholarly works. It is assumed to apply especially to poetry and drama.
The concept was first popularised by Edward Arber in 1870. Arber wrote that "The Poets of that age, wrote for their own delectation and for that of their friends: and not for the general public. They generally had the greatest aversion to their works appearing in print.". This was said to be linked to the ideal of the courtier promoted by Baldassare Castiglione, who wrote that courtiers should keep their poetic work close, only circulating them among friends...
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